Commze

Barcelona is a global city and Yo Yo Ma is a global musician. Ma has performed in cities across the world and Barcelona received tourists from across the world. It is only appropriate that the two worlds meet. Yo Yo Ma has played in Barcelona to a captivated and appreciative audience. This is due in part to Ma’s status as one of the world’s virtuoso cellists and also in part to the tremendously arts oriented population in Barcelona. Undoubtedly, many of the tourists staying in a Barcelona Spain hotel would be interested in seeing and hearing Ma play as well.

For a city that is so rich in cultural and the arts it is only fitting that a major world talent be received with such enthusiasm and support. Of course Ma receives this almost everywhere he goes. Ma was born in Paris though his parents were Chinese. His parents moved the family to New York City when Ma was only four years old, which was the same year that he first began playing the cello. He took up the cello after first studying both the violin and the viola, so by the time he had reached the ripe old age of four he was ready to begin playing the cello and by the time he was five he was already performing in front of audiences.

Ma studied at both Juilliard School where his teacher was legendary cellist Leonard Rose and he also studied at Columbia University before transferring to Harvard. One of his most famous recordings is of the Six Suites for Solo Cello composed by Johann Sebastian Bach. These suites are considered to be one of the most essential collection of works in any cellist’s repertory and very few have actually made critically acclaimed recordings of them. Ma to the music a step further and made an artistic journey on film with them. He treated each of the suites separately and created a concept and short film inspired by their music.

There is no doubting that the top New York City hotels are the best of the best.  Given the location, in the greatest city in the world, how could it be any different?  Here, the world’s best designers, chefs, architects, and artists gather, or have gathered at time or another, to soak up the energy and to contribute their share of talent.  It’s a buzzing place, and the hotels are a reflection of this, except with a large dose of relaxation and rejuvenation.  With a combination of world-class amenities, mixed with a studied practice of hospitality learned from all the cultures in the melting pot, there is a sense here of being close to the heartbeat of the world.

New York could be the pulse of the world, for all we know, and with bands like the Talking Heads, the pulse is exciting.  And an experiment in rhythms, too.  The Talking Heads performed as a group for the first time on June 8, 1975, at NYC’s famous CBGB, and they opened for the Ramones, no less.  An auspicious beginning, but not quite the beginning.  The band members started hooking up a few years before that, as art school students in Rhode Island, and they started to play together using some of David Byrne’s early songs, like Psycho Killer, as beginning tracks, to learn each other’s musical directions.  From the beginning, the rhythms were a combination of infectious punk beats and rock and roll rhythms that had their roots in African rhythm.  David Byrne, whose life-long interest would become apparent in subsequent years, often mentions the African influence in his music from the beginning.

The other members of the Talking Heads were Chris Frantz, Tina Weymouth, and Jerry Harrison.  Their run as a band together was a little over a decade, enough to record some of the most influential albums in punk, post-punk, art-punk, new-wave, alternative music history.  Whatever they were playing, it was definitely abstract.  They certainly had artistic allies in New York, with groups like  Blondie and Television, and visionary artists like Twyla Tharpe, Laurie Anderson, and Robert Wilson working as contemporaries.  The experiment that was the Talking Heads, then, was a rather successful one, and one that David Byrne could later draw on as his music has taken on a more consciously African sensibility and approach.  True New Yorkers, and true world artists.