The Bridge Project in New York Continues for Another Season
The Brooklyn Academy of Music, Neal Street Productions and The Old Vic Theatre continue their collaboration of efforts known as the Bridge Project and Sam Mendes will continue to direct the company. The latest and greatest efforts by the Bridge Project will be productions of William Shakespeare’s As You Like It and The Tempest, which will run in repertory at the BAM Harvey Theater in Brooklyn through March. After the Brooklyn run an international tour of the productions will began and this will take the plays, and their actors, to Asia and Europe before settling into The Old Vic Theatre in London for a summer run from June to August. The company uses top English and American actors to create the ensemble and each of the plays’ casts are filled with the best actors available.
As You Like It is generally considered to be one of Shakespeare’s pastoral comedies and is accepted as having been written sometime between 1599 and 1600. As with most of Shakespeare’s comedies oppressed love plays a significant role and the heroes and heroines find a way to escape their oppressor. In As You Like It Rosalind escapes persecution from her uncle and Flees into the Forest of Arden with her fool Touchtone. This play has the time honored famous line all the world’s a stage, which is spoken by Jacques.
The Tempest has variously been considered a comedy and a romance depending on the time period and academic philosophy attached to it. It was originally labeled a comedy and Shakespeare’s plays have historically been placed into three categories, comedies, histories and tragedies though contemporary criticism has added possible categories of problem plays and romances. However it is classified, The Tempest is both funny and romantic and has all the elements of great intrigue and mystery. It is also one of his most esoteric plays and some critics have argues that the character of Prospero is a literary self-portrait and his putting away of his magical books represents Shakespeare’s own retirement from writing. As with all theories of Shakespeare’s inspirations and intentions, this is difficult to prove. Regardless of what he was thinking tourists staying here will enjoy the prouctions.



