Archive for July 16th, 2009

July 16, 2009: 1:28 pm: CraigTravel

We reached Phuket safely at 7:50 Thailand time. We took this van that charged us 1500 Baht for one to our one of the Luxury Phuket Hotels. The journey took approximately 40 minutes. Here’s one tip for you guys, do some research on your trip as there will be lots of con men hanging around, just waiting to take all of your money.

Phuket is quite similar to Muar: a small town with lots of old buildings and small roads. One thing I realized is that the drivers of Thailand are so furious, like in the movie Fast and Furious. They step on the gas like no body’s business, and yet, they manage to stop in time. But, one difference between Phuket and Muar is Phuket has really clean toilets.

We has lunch at a nearby restaurant before checking in, and wow, this place was the most expensive meal we had in Phuket. Then we went to our Hotel and we were all very satisfied with the rooms. It’s really spacious and clean. For any of you who wish to enjoy a good stay in Phuket, I truly recommend the link up above for your best choice in hotels. It’s amazingly inexpensive when we shared a room with 2 other friends. We stayed 3 days and 2 nights.

After about 45 minutes of settling down, we headed to Patong Beach. It took us only 15 minutes walk and there were vendor stalls along the way. Beach wear was quite cheap if you are good in negotiating the price. Teh Patong Beach is quite clean, but not the water. It’s something like Redang the island itself. The tsunami evacuation signs cam be seen all along the seaside and there’s even some stalls selling DVD’s of the stories about the tsunami that hit Phuket in December of 2004.

All in All we had a blast for those 3 days and 2 nights. Phuket is definitely a tourist trap, but we didn’t care, it’s a wonderful tourist trap and we didn’t mind being caught.

: 11:11 am: CraigTravel

When world travelers are looking for the best Hong Kong hotels, there is every reason to believe that ours are the finest.  With world-class accommodations in one of the most exciting cities on the planet, our guests enjoy their time here as well as enjoying remembering their stay for many years to come.  With a sense of design that is utterly modern, taking the most impeccable elements of contemporary style to make a presentation that is truly stunning, guests will always know that they are living in luxury.  There are excellent amenities, and the technology is cutting edge, so that visitors are well-connected while they enjoy their leisure time.  There is also an almost otherworldly sense of hospitality, where the old values of graciousness and elegance are still intact here.

Hong Kong itself is a magnificent place.  There is a feeling of being simultaneously in-between worlds, but firmly grounded at the same time.  It is one of the true international cities in the world, and the constant motion of cultures here influences the language, the art, and style.  It is traditional, cutting edge, and post-modern, all at once.  Hong Kong has also had a spectacular cinematic history, where, for more than a century, the world has seen new work from Hong Kong that is as entertaining as it is challenging.  One of their most acclaimed filmmakers hails from the Hong Kong New Wave, Ann Hui.

With over two dozen directing credits to her name, this director has worked on film in Hong Kong since the 1970s.  Born in 1947 to a Chinese father and a Japanese mother, she worked in television before going to film school in London.  She gradually moved from television to film, and by the 80s she had established herself as a director.  She lived in Hong Kong since she was five years old, and her documentary style is often very autobiographical, and speaks to some of her major themes, cultural identity and nationhood.  Her films are also very focused on exploring the notions of race, class, and gender, and often deal with mother-daughter relationships which reflect her own experiences with her mother.  Ann Hui is an artist who has won multiple awards, and has come to represent a standard in filmmaking.  Her cinematic voice is unmistakably Hong Kong, and her films, which have an uncharacteristic lack of action and fast pacing, illustrate that this is a voice that is forged through effort and compassion.